A Q&A With Dr. Fairy Hayes-Scott On Her Book: "Are There Black Angels In Heaven?: Sharing A For-Real Black Love Story"

MarketingNewAuthors is pleased to announce the publication of Are There Black Angels In Heaven?: Sharing A For-Real Black Love Story, by MANA's owner, Fairy Hayes-Scott, Ph.D.

Dr. Fairy has creatively used her diaries, which she kept over many decades, to write the book. The diary entries offer readers a way to feel the same emotions, passions, disappointments, and failed relationships that Dr. Fairy experienced. Her diary entries and reflective comments lead readers on a journey that ends with her finding her “for-real” black love with Robert M. Scott Jr. The couple was married for 44 years.

Dr Fairy says this book is for all men and women who want to develop and maintain a loving relationship.  

MANA: What inspired you to write Are There Black Angels In Heaven? Sharing A For Real Black Love Story?
Fairy Hayes-Scott (FHS): Now, let me give some background info. I grew up attending Catholic schools; thus, I was made very aware that there was a guardian angel for every individual. Thus, whenever something happened in my life, significant or not, I would talk to my guardian angel about it. Since I was an only child, my guardian angel became a very close friend whom I could talk to, and it was through my conversations with him that I also talked to God.

When I was twelve, I received a gift, a diary. And from then up until now, I have written in a diary. I have volumes of diaries. As I became older, I knew that I wanted to do something with these entries. Then, about ten or fifteen years ago, I decided that I wanted to develop a book from these entries in which I would reflect on different entries.

Now, that brings us up to today—this book, Are There Black Angels in Heaven?: Sharing A For-Real Black Love Story. I had the title in mind, but I was not quite sure how I would develop the book. Then, during the first of this year, my husband passed, bingo! He must have inspired me to take this path of development.

I recalled that for years I had read articles discussing the gloom and doom for professional women, especially professional Black women, on their prospects of being involved in a meaningful relationship. I remembered, when I was a young professional hoping to meet a good man to be part of my life, the articles were spewing less than positive love results. And my experiences were not always positive. Even more irritating to me was that some people giving advice did not have a good track record in their own romance department. Then, I met my husband, a Black man. And that is why I have the subtitle.

Don't Wait For Confidence—Write Without It

If there’s one thing that countless writers share, it’s a lack of confidence. As they begin writing, they start to doubt their own abilities. The more they write, the worse it gets. They start thinking of all the reasons why they should not finish their manuscripts.

What these writers fail to realize is that confidence isn’t the starting point; it’s the result. And if you wait to gain confidence before you finish your book, you’ll be waiting for a long time.

The Myth of Confidence Before Action

Too many aspiring authors stop themselves at the threshold of possibility because they believe they must feel ready before they act. This myth robs writers of opportunity, progress, and the joy of seeing their words in print.

Confidence isn’t a prerequisite for authorship — it’s a result of doing the work. Every paragraph you finish, every chapter you complete, becomes proof to yourself that you can write. Evidence creates confidence.

Imagine a first-time speaker stepping onto a stage before a large audience. The speaker’s voice will probably tremble, the person’s knees may knock, and his or her palms may sweat. When the speech is over, the speaker breathes a sigh of relief for surviving the ordeal.

If asked to speak next time, however, the person will know what to expect. In this instance, the speaker will stand taller and speak with more confidence. Remember that confidence follows action, not the other way around. Writing works the same way.

Small Wins Turn Fear Into Momentum

Manuscripts aren’t written in a sudden burst of inspiration; they’re finished word by word, day by day. Every sentence you type and every scene you create is a small victory. Those small wins build momentum.

MANA Announces New Book Release: "Are There Black Angels In Heaven? Sharing A For-Real Black Love Story"

We’re excited to announce that the new book by Dr. Fairy Hayes-Scott, owner of MarketingNewAuthors.com (MANA) and its parent company Robbie Dean Press, has been released.

Dr. Fairy made the first public presentation of her book, Are There Black Angels In Heaven? Sharing A For-Real Black Love Story, at the Women Who Write & Create Event on Saturday, Nov. 1, in Grand Rapids, MI. 

Dr. Fairy has creatively used her diaries, which she has kept over many years, to write the book. The diary entries offer readers a unique way to feel the same emotions, passions, hurts, and disappointments that Dr. Fairy experienced in her various relationships, until she found her “for-real” black love with Robert M. Scott Jr. The couple was married for 44 years.

The diary entries, which are addressed to Dr. Fairy’s guardian angel, whom she envisioned as black and male, begin at the close of 1977. For every entry, Dr. Fairy shares her perspective and reflections in 2025.

Readers, regardless of ethnicity, are sure to enjoy this book that offers advice, wisdom, and hope for those seeking their own “for-real” love.

Click on the title to purchase the book, Are There Black Angels In Heaven? Sharing A For-Real Black Love Story. 

Dr. Fairy will hold a book signing from 3:00 p.m. to 5:00 p.m. on Sunday, November 23, 2025, at Peace Neighborhood Center, 1111 N. Maple Rd. in Ann Arbor, MI. Readings from the book begin at 4:00 p.m.

Rekindling Your Creative Core to Fuel Growth

BY CHRISTOPHER HAYMON
of ADULTING DIGEST
GUEST WRITER

Photo by Tirachard Kumtanom at Pexels

Creativity doesn’t vanish. It clogs, retreats, and buries itself under layers of routine and overstimulation. But whether you’re launching a project or rethinking your next move, the ability to spark fresh thinking is essential. 

You don’t need an artist’s temperament or a sabbatical to recover it. You need simple tools, deliberate shifts, and daily friction with your own mind. Let’s talk about how to make that happen without burning everything down to start over.

1. Create space for reflection

Your creativity doesn’t emerge fully formed. It has to be exercised, nudged into the open, and sometimes coaxed like a reluctant friend. One of the most effective ways to build that muscle is journaling. But not the passive kind. We're talking about short, directed bursts—a question in the morning, a reflection at night, a prompt like “What haven’t I noticed today?” The act of journaling trains you to be observant, to notice odd pairings, to question your own assumptions—and all of that spills into your professional instinct.

2. Let ideas surface without judgment

Trying to create something perfect is one of the fastest ways to stall out. That’s why freewriting isn’t just for novelists. Give yourself ten minutes with no constraints, no structure, no delete key. Get messy. Let the sentences fragment. There’s something almost alchemical in those moments when your brain outruns your filter—and often, buried in the fourth or fifth paragraph of nonsense is the line you didn’t know you needed. Professional breakthroughs often begin with deeply unpolished drafts. Let them be ugly.

From Undercooked to Gourmet: The Power of the Rewrite

Image by Yvonne Huijbens from Pixabay

Making a stew has often been compared to the writing process. To make a stew, you add potatoes, meat, onions, seasoning, and other ingredients to a pot and bring to a boil. But if you don’t let it cook long enough and give it time to simmer, the stew won’t turn out the way you had hoped.

Similarly, the first draft of your manuscript is full of raw material and not yet ready for others to read. If you only write and never revise, your work is like serving undercooked stew—lacking the full flavor and richness it could have. Taking the time to improve your writing can turn a good story into a great one, just like a good dish can become truly delicious if cooked long enough.

However, some writers do not see it that way. The “one-and-done” writers are not in favor of rewriting their first draft. Instead, they are ready to publish their book after typing the final period in their manuscript.

Writing a Book vs. Writing a Draft

Many new writers (and even some experienced ones) confuse “writing a book” with “writing a draft.” But in reality, the first draft is only 50 percent of the process—a time for gathering the “ingredients.”

Writers, like cooks who skim fat, taste the ingredients, and let flavors blend, should revise their work. But why do some writers resist rewriting? While there are different reasons, some writers believe their manuscript is already “good enough” and they do not want to ruin it.

MANA and RDP Wants to Showcase Black Greek Authors and Aspiring Authors!

MarketingNewAuthors.com (MANA), and its parent company Robbie Dean Press (RDP) are committed to showcasing the work of diverse groups of authors.

The two Ann Arbor, MI-based companies are issuing a call for published authors and manuscripts by aspiring authors who are members of the Divine Nine Black Greek organizations. 

Several members of Black Greek organizations have already published books with MANA and RDP. To view these books and learn more about the authors, visit MANA's website HERE. 

Now, check out the offers for published authors and aspiring authors below: 

For Published Authors

If you are already an author, MANA, a self-publishing company, invites you to display your book on MANA’s website. If you choose to promote your book, please send:

• A description of your book

• A brief biography of yourself

• A JPEG image of the book cover as an attachment.

Authors will receive a royalty of 70 percent of the money paid to MANA. The cost to promote your books on MANA’s website:

• $100 registration fee
• $19.13 per month (a minimum of six months) showcase fee

Should You Self-Publish? Here Are 5 Signs To Help You Determine Whether Self-Publishing is Right For You

More and more authors are choosing the self-publishing process for publishing their books. So, how do you know if self-publishing is the best option for you?

Five key signs may help you determine whether you can benefit from taking the self-publishing path and bring your literary creation to life.

1. Control Over the Creative Process

Self-publishing offers authors significant control over their work. To retain full creative control of a book’s content, design, and marketing, self-publishing offers writers ultimate decision-making power. This freedom enables authors to preserve their distinctive voice and vision without compromise.

2. A Strong Personal Brand

Established writers with a personal brand or a loyal following might see self-publishing as a seamless next step. If an author has an audience eager for new content, self-publishing can offer a direct path to share their work without the delays often associated with traditional publishing.

MANA Brings Back The Popular McGuffey Readers! Get Yours Now!

In 19th-century America, William Holmes McGuffey was one of the biggest names in educational publishing. McGuffey, creator of the renowned McGuffey Eclectic Readers, significantly impacted the reading, thinking, and behavior of generations of American children.

For decades, the McGuffey Readers were the foundation of classroom instruction across the United States, and they continue to influence discussions about values-based education today.

So, who was William Holmes McGuffey, and how did his Eclectic Readers become some of the most widely read educational texts in American history?

How the Readers Came to Be

Washington studied at Washington College (now Washington & Jefferson College) and became a professor at Miami University in Ohio.

In the early 1830s, the publishing firm Truman and Smith approached McGuffey with a request: Write a series of graded readers for primary school children. At that time, there was no national curriculum, and schools compiled texts of differing quality. The publishers saw a gap in the market and trusted McGuffey to fill it.

McGuffey began compiling and writing selections that were age-appropriate, morally instructive, and intellectually challenging. The first and second Readers were published in 1836.

Each book was structured to align with a child’s learning stage. For example, the early readers taught phonics, basic vocabulary, and introduced basic sentences, such as: The dog ran.

Create a Compelling Opening and Closing for Your Storytelling

An interesting opening and closing are essential parts of any well-crafted story. They frame the reader’s experience, grabbing attention at the start and leaving a lasting impression at the end. 

Without a strong opening, readers may never get past the first paragraph. Why? Because the opening sets the tone for the rest of the story. If you cannot reel in readers quickly, they will check out just as fast. 

The opening is the hook. It introduces stakes and raises questions. A great first line invites the reader into the story and makes them want to stay. You can create a compelling opening in different ways. One of the most common is using something surprising or odd-sounding that is then explained and leads into the rest of the story.

Take the first line in George Orwell’s book, 1984, as an example: 

It was a bright cold day in April, and the clocks were striking thirteen. 

That line immediately signals something is off. That line grabs the reader's attention. In just a few words, Orwell hints at a familiar but twisted world.

Or consider the stark simplicity of Charles Dickens’s novel, A Tale of Two Cities: 

It was the best of times, it was the worst of times. 

This is straightforward and introduces themes of extreme contrasts, emphasizing both the hope and despair of the French Revolution.

The best openings establish expectations for readers. A slow, plodding, or overly wordy opening makes it easy for readers to set aside the book and choose another one that competes for their attention.

The closing is just as important. A strong ending doesn’t merely finish a story—it completes it. It can repeat something from the beginning, tie up loose ends, and deliver an emotional payoff.